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BEGIN:VEVENT
DTSTART;TZID=UTC:20261005T160000
DTEND;TZID=UTC:20261005T180000
DTSTAMP:20260929T213802Z
CREATED:20260929T213802Z
LAST-MODIFIED:20260929T213802Z
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SUMMARY:40th Anniversary Celebration of the Center for 17th- & 18th-Century Studies
DESCRIPTION:Join us in celebrating the 40th anniversary of the UCLA Center for 17th- & 18th-Century Studies\, the nation’s first research center for early modern studies. Founded in 1985\, the Center provides a forum for the discussion of central issues in the field of seventeenth- and eighteenth-century studies\, and organizes a wide range of academic and cultural programs. Additionally\, the Center administers the William Andrews Clark Memorial Library\, located on a historic property in the West Adams neighborhood of Los Angeles\, which serves as the research laboratory for a distinguished array of fellows working either in early modern studies or the fin-de-siècle world of Oscar Wilde. \nThe program features a talk presented by UCLA Professor of English Helen Deutsch\, who served as the Center & Clark’s Director for a four year-term from 2017 to 2020. Following the talk\, guests are invited to mingle with friends and colleagues in Royce 306\, where they can add a message to the 40th anniversary Padlet\, view a display of Center & Clark ephemera and a slideshow\, and enjoy a reception on the terrace. \nAt a moment when higher education is under siege\, the study of the seventeenth and eighteenth centuries might seem a luxury at best\, irrelevant at worst. Professor Deutsch’s talk\, a review and celebration of the Center and its history\, refutes such assumptions. She will argue that the work of the Center and its partner the Clark—research\, musical and theatrical performance\, conferences\, collaborations in many forms—is not a retreat to the past but rather an ongoing engagement with our present. Critical University Studies scholar Christopher Newfield has recently described universities as “places of unique challenge\, novelty\, and happiness\, of intellectual revolutions and personal transformations.”  The Center is just such a place\, and our imaginative and intellectual investments in the past illuminate the ways in which such revolutions are both rooted in history and ongoing collective projects of the utmost relevance. \nProfessor Deutsch joined UCLA’s English department in 1995 and was first affiliated with the Center & Clark as an Ahmanson-Getty postdoctoral fellow in 1992–93. In addition to serving as Director\, she has assisted the Center & Clark in many capacities over the years\, including as Clark Professor in 2005–06\, and as a member and chair of the Faculty Advisory Committee. \nHer research is fueled by the love of literature and the love of authors. She practices a unique kind of feminist historical formalism that reads texts in relationship to the embodied lives of the writers who produced them. Her first two books consider the singular bodies of Alexander Pope and Samuel Johnson in symbiotic relationship to each author’s uniquely imitative literary style and contested critical reception. \nHer most recent book\, The Last Amateur\, goes beyond the single-author framework to consider what it means to learn to love one author through another\, and to be transformed in the process. Deutsch scrutinizes Edward Said’s career-long conversation with Jonathan Swift\, which began with an unfinished book (a part of which was presented at the Clark)\, in order to raise questions of her own about the path of literary studies. At a time when many in the field have lost faith in critique\, she shows how passion and refusal of professional propriety—the hallmarks of the amateur—can enliven critique again. \nIn addition to serving as departmental Vice Chair for Graduate Studies\, she successfully spearheaded the founding of UCLA’s interdisciplinary Disability Studies Minor\, which she chaired from 2006 to 2011. She has been a member at large of the American Society for Eighteenth-Century Studies\, chair of the Division for Restoration and Early Eighteenth-Century Literature of the Modern Language Association\, an advisory editor for PMLA\, the association’s journal\, and a member of its Committee on Disability Issues in the Profession. \n\nThis event is free to attend with advance registration and will be held in-person on the UCLA campus in Royce Hall 314 and 306. Seating is limited; walk-in registrants are welcome as space permits. Registration will close on Thursday\, October 1\, 2026 at 5:00 p.m. \n\nLoading… \n\nPhoto credit: Reed Hutchinson
URL:https://dev.1718.ucla.edu/event/center-40th-anniversary/
LOCATION:CA
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261011T140000
DTEND;TZID=UTC:20261011T160000
DTSTAMP:20260929T221954Z
CREATED:20260929T214533Z
LAST-MODIFIED:20260929T221954Z
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SUMMARY:Horszowski Trio\, Chamber Music at the Clark
DESCRIPTION:All Chamber Music at the Clark tickets will be sold by the UCLA Central Ticket Office. Tickets may be purchased online\, via telephone\, or in person. \nTicket prices: General $60; Senior (age 55+) $50; UCLA student (valid student ID required for each ticket) $15. Tickets are non-refundable. \nTickets for this concert will go on sale Tuesday\, September 8\, 2026 at Noon. \nSeating at the Clark Library is limited\, and tickets are likely to sell out within a few minutes. \nOnline: https://ucla.evenue.net/events/CTO\nTelephone: (310) 825-2101\nIn person: Central Ticket Office windows located on the UCLA campus at 325 Westwood Plaza (ground level\, across from Pauley Pavilion). \nIf any tickets for this concert remain unsold\, they will be available for purchase at the Clark Library on the day of the event. Any available day-of tickets will be sold on a first-come\, first-served basis by a Central Ticket Office representative beginning at 1:00 p.m. Payment will be accepted via credit card only. For inquiries\, please call or email the Central Ticket Office at (310) 825-2101 or cto@tickets.ucla.edu\, Monday–Friday 10:00 a.m. – 4:00 p.m. \n\nProgram \nJohannes Brahms (1833-1897)\nPiano Trio No. 2 in C Major\, op. 87 \nArnold Schoenberg (1874-1951)\nSechs kleine Klavierstücke\, op.19. Arranged for piano trio by Rieko Aizawa \nFranz Schubert (1797-1828)\nPiano Trio No. 2 in E-flat Major\, D. 929 \nHorszowski Trio\nJesse Mills\, violin\nOle Akahoshi\, cello\nRieko Aizawa\, piano \nGiving performances that are “lithe\, persuasive” (The New York Times)\, “eloquent and enthralling” (The Boston Globe)\, and described as “the most compelling American group to come on the scene” (The New Yorker)\, the Horszowski Trio has quickly become a vital force in the international chamber music world. Since their debut performance in New York City in 2011\, they have toured extensively throughout North America\, Europe\, the Far East\, and India\, traversing the extensive oeuvre of traditional piano trio repertoire and introducing audiences to new music that they have commissioned and premiered. \nThey have performed at the 92nd Street Y in New York City; the Kimmel Center in Philadelphia; Schubert Club in Saint Paul\, Minnesota; Spivey Hall in Atlanta; Bowdoin Music Festival in Maine; UCLA in Los Angeles; venues in Boston\, San Francisco\, and Canada; London’s Wigmore Hall; at Dresden’s Moritzburg Festival and throughout Germany; and on several tours in Japan. Their recording of the complete piano trios by Robert Schumann on AVIE Records has received tremendous acclaim: “great care and affection” (BBC Radio); “intoxicating” (Gramophone); “exciting and deeply felt” (Strings); “fresh\, supple and fantastic” (The Strad). \nThe Trio takes its inspiration from the musicianship\, integrity\, and humanity of the pre-eminent pianist Mieczysław Horszowski (1892–1993); the ensemble’s pianist\, Rieko Aizawa\, was Horszowski’s last pupil at the Curtis Institute in Philadelphia. Described as “power players” by the Los Angeles Times\, the Horszowski Trio’s repertoire includes works by many of the composers with whom Maestro Horszowski had personal interaction\, including Gabriel Fauré\, Enrique Granados\, Bohuslav Martinů\, Maurice Ravel\, Camille Saint-Saëns\, and Heitor Villa-Lobos. The Horszowski Trio’s debut recording — an album of works by Gabriel Fauré\, Camille Saint-Saëns\, and Vincent d’Indy on the Bridge label —was released in 2014 and dedicated to the memory of Mieczysław Horszowski. Gramophone praised the “exemplary performance” of the “highly accomplished group\,” concluding\, “I long to hear more of the Horszowski Trio.” \nThe ensemble has performed the complete cycles of piano trios by Ludwig van Beethoven\, Robert Schumann\, and Johannes Brahms. They also actively cultivate hidden treasures from the repertoire\, works by Arno Babajanyan\, Leonard Bernstein\, Vincent d’Indy\, Arthur Foote\, Germaine Tailleferre\, and Morton Feldman. The Horszowski Trio is a passionate advocate for the music of our time. The Trio has premiered\, commissioned\, championed\, and recorded works of a wide range of composers including Derek Bermel\, Kenji Bunch\, Paul Chihara\, Morton Feldman\, David Fulmer\, Daron Hagen\, John Harbison\, Louis Karchin\, Eric Moe\, Andreia Pinto-Correia\, Joan Tower\, and Charles Wuorinen. They premiered Wuorinen’s Piano Trio No. 2\, written for them\, at the Library of Congress in April 2025. The Trio’s violinist Jesse Mills\, a two-time Grammy nominee who is also a composer and arranger\, wrote Painted Shadow for the ensemble; the work was commissioned by and premiered at Bargemusic in Brooklyn\, New York in January 2015. \nThe Horszowski Trio enjoys opportunities to expand its chamber music horizons through collaborations\, having worked with such musicians as Aaron Boyd (from the Escher Quartet)\, Kikuei Ikeda (Tokyo Quartet)\, Masumi Per Rostad (Pacifica Quartet)\, Phillip Ying (Ying Quartet)\, and Roberto Diaz. \nThe Horszowski Trio is based in New York City. It is the Ensemble-in-Residence at the Longy School of Music of Bard College in Cambridge\, Massachusetts\, and of the Leschetizky Association in New York City. \n\nChamber Music at the Clark is made possible by The Ahmanson Foundation\, under the auspices of Lee Walcott; Henry J. Bruman Endowment for Chamber Music; The Colburn Foundation; Ms. Brenda F. Anderson; Martha Bardach/Bardach Robson Family Charitable Foundation; Catherine Glynn Benkaim\, Ph.D. and Ms. Barbara Timmer; Rogers Brubaker\, Ph.D; Johanna R. Drucker\, Ph.D.; The Mari and Ed Edelman Charitable Fund for Music and Public Service; Dr. Daniel J. Fink and Dr. Ruth F. Cousineau; Susan S. Harris\, Ph.D. and Mr. Mark J. Harris; Judith L. Hellinger; Dr. David E. Lopez; Dr. Martin H. Mach and Dr. Susan P. Mach; Mr. Bernie Mendes and Ms. Elaine Mendes; Mrs. Janet K. Minami; Mr. Jeffrey L. Nagin and Mrs. Bette I. Nagin; Jeanne Robson\, Ph.D. ; Dr. Thomas Rosenthal and Ms. Susan M. Rosenthal; Dr. Patricia Bates Simun and Mr. Richard V. Simun Memorial Fund; Professor Bronwen Wilson; and Mr. Robert A. Young and Mrs. Roberta J. Husted Young. \nPlease see here for more information about our chamber music programs. \n\nPhoto credit: Courtesy of the Horszowski Trio.
URL:https://dev.1718.ucla.edu/event/horszowski-2026/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261025T140000
DTEND;TZID=UTC:20261025T160000
DTSTAMP:20260929T220503Z
CREATED:20260929T220503Z
LAST-MODIFIED:20260929T220503Z
UID:14220-1792936800-1792944000@dev.1718.ucla.edu
SUMMARY:Quatuor Danel\, Chamber Music at the Clark
DESCRIPTION:All Chamber Music at the Clark tickets will be sold by the UCLA Central Ticket Office. Tickets may be purchased online\, via telephone\, or in person. \nTicket prices: General $60; Senior (age 55+) $50; UCLA student (valid student ID required for each ticket) $15. Tickets are non-refundable. \nTickets for this concert will go on sale Tuesday\, September 8\, 2026 at Noon. \nSeating at the Clark Library is limited\, and tickets are likely to sell out within a few minutes. \nOnline: https://ucla.evenue.net/events/CTO\nTelephone: (310) 825-2101\nIn person: Central Ticket Office windows located on the UCLA campus at 325 Westwood Plaza (ground level\, across from Pauley Pavilion). \nIf any tickets for this concert remain unsold\, they will be available for purchase at the Clark Library on the day of the event. Any available day-of tickets will be sold on a first-come\, first-served basis by a Central Ticket Office representative beginning at 1:00 p.m. Payment will be accepted via credit card only. For inquiries\, please call or email the Central Ticket Office at (310) 825-2101 or cto@tickets.ucla.edu\, Monday–Friday 10:00 a.m. – 4:00 p.m. \n\nProgram \nSergei Prokofiev (1891-1953)\nString Quartet No. 1 in B Minor\, op. 50 \nMieczysław Weinberg (1919-1996)\nString Quartet No. 2\, op. 3 \nDmitri Shostakovich (1906-1975)\nString Quartet No. 3 in F Major\, op. 73 \nQuatuor Danel\nMarc Danel\, violin\nGilles Millet\, violin\nVlad Bogdanas\, viola\nYovan Markovitch\, cello \nCelebrated for its bold and vibrant performance style\, the Quatuor Danel has been a prominent force on the international classical music scene for over thirty years. The ensemble is acclaimed for its deeply personal interpretations of string quartet cycles by Haydn\, Beethoven\, Schubert\, Shostakovich\, and Weinberg. Their recordings\, particularly of Shostakovich and Weinberg\, have received international accolades and defined the group’s benchmark achievements. \nThe Quartet’s 2023–24 North American tour included appearances with Aspect Chamber Music Series\, Peoples’ Symphony Concerts\, Music Toronto\, Chamber Music in Oklahoma\, and McGill International String Quartet Academy. They also perform regularly across Europe and Asia\, with recent engagements in France\, Germany\, Portugal\, Taiwan\, and Japan. \nUniquely\, the Quartet has worked closely with Irina Shostakovich and the late Valentin Berlinsky (Borodin Quartet)\, refining their profound approach to Russian repertoire. Their recent Shostakovich quartet cycle\, recorded at Gewandhaus Leipzig and released on Accentus\, has received widespread praise. \nThe Quartet was the first to record the complete quartets of Mieczysław Weinberg and continues to champion his music alongside works by major contemporary composers including Sofia Gubaidulina\, Wolfgang Rihm\, and Jörg Widmann. \nRecent recording projects include Tchaikovsky’s quartets\, Franck’s Piano Quintet with Paavali Jumppanen\, and plans for a full Beethoven cycle set for release in 2027 with Accentus and the Gewandhaus Leipzig. \nA strong advocate for young musicians\, Quatuor Danel has served as artist-in-residence at the University of Manchester since 2005\, where it regularly teaches and mentors emerging string quartets. \n\nChamber Music at the Clark is made possible by The Ahmanson Foundation\, under the auspices of Lee Walcott; Henry J. Bruman Endowment for Chamber Music; The Colburn Foundation; Ms. Brenda F. Anderson; Martha Bardach/Bardach Robson Family Charitable Foundation; Catherine Glynn Benkaim\, Ph.D. and Ms. Barbara Timmer; Rogers Brubaker\, Ph.D; Johanna R. Drucker\, Ph.D.; The Mari and Ed Edelman Charitable Fund for Music and Public Service; Dr. Daniel J. Fink and Dr. Ruth F. Cousineau; Susan S. Harris\, Ph.D. and Mr. Mark J. Harris; Judith L. Hellinger; Dr. David E. Lopez; Dr. Martin H. Mach and Dr. Susan P. Mach; Mr. Bernie Mendes and Ms. Elaine Mendes; Mrs. Janet K. Minami; Mr. Jeffrey L. Nagin and Mrs. Bette I. Nagin; Jeanne Robson\, Ph.D. ; Dr. Thomas Rosenthal and Ms. Susan M. Rosenthal; Dr. Patricia Bates Simun and Mr. Richard V. Simun Memorial Fund; Professor Bronwen Wilson; and Mr. Robert A. Young and Mrs. Roberta J. Husted Young. \nPlease see here for more information about our chamber music programs. \n\nPhoto credit: Courtesy of Quatuor Danel.
URL:https://dev.1718.ucla.edu/event/quatuor-danel/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
ATTACH;FMTTYPE=image/png:https://dev.1718.ucla.edu/wp-content/uploads/2026/09/Quatuor-Danel.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261102T160000
DTEND;TZID=UTC:20261102T173000
DTSTAMP:20260929T221045Z
CREATED:20260929T221045Z
LAST-MODIFIED:20260929T221045Z
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SUMMARY:“Through the Magic Door”: Stories from the Private Library of Sir Arthur Conan Doyle
DESCRIPTION:Lecture by Dr. William Zachs\, Director\, Blackie House Library and Museum \nNearly a decade ago the descendants of Sir Arthur Conan Doyle (1859-1930) transferred a substantial part of the author’s private library to Blackie House Library and Museum in Edinburgh\, the city of his birth. Each of the 400 volumes tells a unique story of the writer who not only created the globally admired character Sherlock Holmes but was author of dozens upon dozens of works in fictional and non-fictional genres. The extensive collection divides into three principal sections: \n\n100 books written by Sir Arthur\, a number of them with authorial interventions\, including his own copy of the first Sherlock Holmes story\, A Study in Scarlet (1887);\n100 books presented to him by authors both famous (for example\, J. M. Barrie and Jerome K. Jerome) and forgotten\, though no less fascinating for the insights they can offer.\n200 miscellaneous books that reflect the extensive reading and research of this enduringly popular writer — many of the volumes with significant annotations by Sir Arthur.\n\nIn this talk\, Dr. William Zachs\, the Director of the Blackie House Library and Museum\, tells tales teased out from the pages of the collection that reveal the close connections between the books Conan Doyle owned and read and those he wrote and revised. Using his own critical powers of observation and deduction\, Zachs uncovers significant biographical revelations that bring us closer to the author and his times. \nA collector and scholar\, William (Bill) Zachs is the author of The First John Murray and the Eighteenth-Century London Book Trade (1998)\, Without Regard to Good Manners: A Biography of Gilbert Stuart\, 1743-1786 (1992) and several scholarly and popular article\, reviews\, and exhibition catalogues. He lectures internationally on such topics as “The History and Art of Letter-Writing Before\, During\, and After the Digital Age\,” “The Thousand-Year History of the Illustrated Book – A Story in Ten Volumes\,” “The Private Library of Sir Arthur Conan Doyle\,” “Authenticity and Duplicity: Investigations into Multiple Copies of Books\,” and much more. \nBill is an Honorary Fellow of the universities of Edinburgh and Stirling\, and of the National Library of Scotland\, a fellow of several antiquarian societies\, and among other bookish organizations\, a member of the Roxburghe and Grolier clubs. He holds a BA from the University of Pennsylvania\, an MLIS from California State University\, and an MSc. PhD\, and Honorary DLitt from the University of Edinburgh. \n\nThis event is free to attend with advance registration and will be held in-person at the Clark Library. Seating is limited. Walk-in registrants are welcome as space permits. Registration will close on Thursday\, October 29 at 5:00 p.m. \nThis lecture will also be livestreamed on the Center’s YouTube channel. No registration is needed to watch the livestream. \n\nLoading… \n\nImage: Courtesy of Blackie House Library and Museum.
URL:https://dev.1718.ucla.edu/event/through-the-magic-door/
LOCATION:UCLA William Andrews Clark Memorial Library & via Livestream\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261105T160000
DTEND;TZID=UTC:20261105T173000
DTSTAMP:20260929T221521Z
CREATED:20260929T221521Z
LAST-MODIFIED:20260929T221521Z
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SUMMARY:“Odious! In Woollen!”: Blank Precedents and the London Stationers\, 1690-1830
DESCRIPTION:Twenty-First Kenneth Karmiole Lecture on the History of the Book Trade \nLecture by Dennis Duncan\, Associate Professor\, University College London \nThis paper begins with a collection of four dozen Burying in Woollen affidavits from the village of Upper Heyford in Oxfordshire\, dating from the first decade of the eighteenth century to the last. Each affidavit testifies to a burial in the village\, and an oath taken by a relative of the deceased that the body was wrapped in nothing other than wool. These are roughly-printed\, single-sheet forms\, illustrated with crude woodcuts of skulls and cadavers. They were printed seventy miles away in London. \nWhat can the stationery of a country rector tell us about the practices of the London printers\, how they advertised\, and how the blank precedent – what we might today call a form – offered rich\, ever-changing opportunities to supplement their book work? \nDennis Duncan is a writer and Associate Professor in English at University College London. His books include Book Parts (with Adam Smyth\, Oxford University Press\, 2019)\, and Index\, A History of the (W. W. Norton\, 2022). The latter was a New York Times bestseller and was listed as one of the Books of the Year in the New York Times\, TIME magazine\, the Washington Post\, and the Financial Times. It has been translated into nine languages. He writes regularly for the New York Times\, the London Review of Books\, the Guardian\, and the Times Literary Supplement. His current research concerns ephemera and the history of collecting. He is a Fellow of the Royal Historical Society. \n\nThe registration form will post here approximately one month in advance of the program. This event is free to attend with advance registration and will be held in-person at the Clark Library. Seating is limited. Walk-in registrants are welcome as space permits. The registration form will be posted here approximately one month in advance of the program. \nThe lecture will be livestreamed and the recording will be available to watch on the Center’s YouTube channel for one year following the event. Registration is not required to watch the livestream. \n\nImage: Jacob Giles\, The Modern Justice (London: J. Tonson\, 1720)\, p. 90 [Clark Library Rare Book Stacks; K J15mo 1720].
URL:https://dev.1718.ucla.edu/event/odious-in-woollen/
LOCATION:UCLA William Andrews Clark Memorial Library & via Livestream\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261108T140000
DTEND;TZID=UTC:20261108T160000
DTSTAMP:20260929T222840Z
CREATED:20260929T222643Z
LAST-MODIFIED:20260929T222840Z
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SUMMARY:Trio con Brio Copenhagen\, Chamber Music at the Clark
DESCRIPTION:All Chamber Music at the Clark tickets will be sold by the UCLA Central Ticket Office. Tickets may be purchased online\, via telephone\, or in person. \nTicket prices: General $60; Senior (age 55+) $50; UCLA student (valid student ID required for each ticket) $15. Tickets are non-refundable. \nTickets for this concert will go on sale Tuesday\, September 8\, 2026 at Noon. \nSeating at the Clark Library is limited\, and tickets are likely to sell out within a few minutes. \nOnline: https://ucla.evenue.net/events/CTO\nTelephone: (310) 825-2101\nIn person: Central Ticket Office windows located on the UCLA campus at 325 Westwood Plaza (ground level\, across from Pauley Pavilion). \nIf any tickets for this concert remain unsold\, they will be available for purchase at the Clark Library on the day of the event. Any available day-of tickets will be sold on a first-come\, first-served basis by a Central Ticket Office representative beginning at 1:00 p.m. Payment will be accepted via credit card only. For inquiries\, please call or email the Central Ticket Office at (310) 825-2101 or cto@tickets.ucla.edu\, Monday–Friday 10:00 a.m. – 4:00 p.m. \n\nProgram \nLili Boulanger (1893-1918)\nD’un Matin de printemps \nD’un Soir triste \nMaurice Ravel (1875-1937)\nPiano Trio in A Minor\, M. 67 \nFelix Mendelssohn (1809-1847)\nPiano Trio No. 2 in C Minor\, op. 66 \nTrio con Brio Copenhagen\nSoo-Jin Hong\, violin\nSoo-Kyung Hong\, cello\nJens Elvekjaer\, piano \nRecognized as one of the world’s finest piano ensembles\, Trio con Brio Copenhagen’s multifaceted members are not only performing artists who tour extensively\, but also esteemed recording artists\, artistic directors\, and educators. The Trio appears regularly at the world’s leading venues and concert series\, including Carnegie Hall\, Lincoln Center\, Wigmore Hall\, Berlin’s Pierre Boulez-Saal\, the Concertgebouw\, and many more. Trio con Brio is a recipient of the Carl Nielsen and Anne Marie Carl-Nielsen Award\, one of Denmark’s most prestigious prizes. \nTrio con Brio Copenhagen is a fusion of two overlapping “musical pairs”: two sisters\, violinist Soo-Jin Hong and cellist Soo-Kyung Hong\, are from South Korea; pianist Jens Elvekjaer\, Soo-Kyung’s spouse\, is from Denmark. Founded at the University of Music and Performing Arts in Vienna in 1999\, the Trio is now based in Copenhagen and is recognized for its exceptional musicianship\, fresh approach to the core repertoire\, adventurous programming\, and a commitment to bringing music to young people through their highly creative concerts. \nThe ensemble’s recordings have received tremendous critical acclaim. The latest album of Shostakovich and Arensky trios (Orchid Classics) was a Gramophone “Editor’s Choice” and also singled out by BBC Music Magazine as a “Chamber Choice” of the month. The disc also just won the German Record Critics’ Award (Preis der deutschen Schallplattenkritik)\, and was singled out among other winning titles including the Berlin Philharmonic\, Frank Peter Zimmermann\, and Quatuor Ebène. An album featuring the complete Beethoven piano trios (Orchid Classics) garnered broad\, enthusiastic praise from critics and fans alike with the BBC Music Magazine calling it “a triumph.” The Trio has also recorded the work of leading Scandinavian composers\, including Per Nørgård\, Bent Sørensen\, and Sven-David Sandström\, who have written works for the group. \nAs visionary artistic directors who are known for their insatiable curiosity\, inventive programming\, and engaging children’s concerts\, Trio con Brio Copenhagen plays a vital role in the cultural life of Denmark. This season they are collaborating with leading Danish actor Søren Sætter-Lassen on their new musical production of The Little Prince\, set to open at The Royal Danish Theatre. A tour is planned the following year. \nTrio con Brio Copenhagen serves as artistic directors of the annual festival\, Chamber Music at Lundsgaard\, and the Hellerup Chamber Music Society in Copenhagen. \nSoo-Jin plays an Andrea Guarneri violin\, Soo-Kyung plays a Grancino cello\, and Jens is Denmark’s first Steinway Artist. Both string players are endorsed by Jargar Strings and Thomastik-Infeld Vienna. \n\nChamber Music at the Clark is made possible by The Ahmanson Foundation\, under the auspices of Lee Walcott; Henry J. Bruman Endowment for Chamber Music; The Colburn Foundation; Ms. Brenda F. Anderson; Martha Bardach/Bardach Robson Family Charitable Foundation; Catherine Glynn Benkaim\, Ph.D. and Ms. Barbara Timmer; Rogers Brubaker\, Ph.D; Johanna R. Drucker\, Ph.D.; The Mari and Ed Edelman Charitable Fund for Music and Public Service; Dr. Daniel J. Fink and Dr. Ruth F. Cousineau; Susan S. Harris\, Ph.D. and Mr. Mark J. Harris; Judith L. Hellinger; Dr. David E. Lopez; Dr. Martin H. Mach and Dr. Susan P. Mach; Mr. Bernie Mendes and Ms. Elaine Mendes; Mrs. Janet K. Minami; Mr. Jeffrey L. Nagin and Mrs. Bette I. Nagin; Jeanne Robson\, Ph.D. ; Dr. Thomas Rosenthal and Ms. Susan M. Rosenthal; Dr. Patricia Bates Simun and Mr. Richard V. Simun Memorial Fund; Professor Bronwen Wilson; and Mr. Robert A. Young and Mrs. Roberta J. Husted Young. \nPlease see here for more information about our chamber music programs. \n\nPhoto credit: Courtesy of Trio con Brio Copenhagen.
URL:https://dev.1718.ucla.edu/event/trio-con-brio/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261113T090000
DTEND;TZID=UTC:20261113T170000
DTSTAMP:20260929T225115Z
CREATED:20260929T224638Z
LAST-MODIFIED:20260929T225115Z
UID:14245-1794560400-1794589200@dev.1718.ucla.edu
SUMMARY:William Andrews Clark Jr.\, California Fine Press\, Independent Publishing\, and Literary Activity in Los Angeles
DESCRIPTION:Organized by Johanna Drucker\, Distinguished Professor and Breslauer Professor Emerita\, Department of Information Studies (University of California\, Los Angeles) \nThe connection between William Andrews Clark Jr. and the fine press community that emerged in Southern California in the 1930s is evident in the extensive collections assembled in his lifetime and after. This conference reflects on the role of Clark and his Library in the broader range of literary and publishing activity in the decades after its founding. \nFrom his initial interests in antiquarian books\, Clark extended his engagement to direct patronage of John Henry Nash\, a San Francisco printer known for his exquisite book design and exclusive clientele. But the emergence of fine printing in Los Angeles was in part the result of the activities of Ward Ritchie working in the orbit of Jake Zeitlin whose bookstore served as a major node of social and professional connections in the community. Most of this activity flourished after Clark’s death in 1934\, however\, and was not part of the original core focus. The Ritchie papers are one of several key collections at the Clark Library that provide insight into the development of fine printing and its relation to literary and artistic activity in the 1930s. The region did not support the same level of printing—or literary culture—as the Bay Area\, and in some ways remained a provincial outpost until well after World War II and mid-century. Few literary figures of note can be identified from the early twentieth century and fine press productions were mainly derivative in style\, based on other modern and humanist revival approaches. Writers of note and significant literary merit were part of the Hollywood industry\, but their work was in a separate sphere and played a small part in small press and independent publishing activities. \nIn the later twentieth century and into the present\, literary activity in the Los Angeles region continued to diversify and expand. California fine press production\, in the manner established in Clark’s original collection through the work and vision of Lawrence Clark Powell during his term as Librarian\, has continued\, but its role and profile have shifted from the identity it had in the 1930s when it served as part of the aspirational vision of affluent collectors eager to demonstrate standards of taste. The founding of the Rounce and Coffin Club by Ritchie and others\, alongside the more establishment-oriented Zamorano Club\, supported private collectors building a community of like-minded individuals. Meanwhile\, independent publishing and small press activity in support of poetry\, activism\, community voices\, and experimental literature has created other networks of literary activity. \nAt this point in the twenty-first century\, revisiting the connection between Clark and the fine press community provides insight into one aspect of the cultural and social life of Los Angeles by addressing the aesthetic profile of the individuals and presses and situating it within a broader context. Much can be learned from the study of these materials\, their research value has been under-explored—as per my experience of studying and teaching the Paul Landacre archives and the California Fine Press collections. \nWhile there are exceptional\, unusual items among the fine press works\, the larger context of their circulation and reception provides critical insight beyond the aesthetics of the book. This conference seeks to situate the profile of the Clark Library collections within the history of Los Angeles’s cultural identity\, including its exclusions\, provincialism\, aspirations\, and transformations. The set of panels on this history and the lineage/legacy of fine printing and/or independent literary publishing in Los Angeles over the last hundred years allows us to reflect on the value of the Clark collections within larger conversations about the history of collecting\, the role of the Library\, and other matters that may have implications for the Library’s mission ahead. \nSpeakers \nJohn Bidwell\, Curator Emeritus\, Morgan Library & Museum\nHelena de Lemos\, Curator of Special Collections\, Occidental College\nJohn Howell\, Owner\, John Howell for Books\nDavid Kipen\, University of California\, Los Angeles\, Los Angeles Times\, 21st-Century Federal Writers’ Project\nWilliam Mohr\, Professor Emeritus\, California State University\, Long Beach\nBonnie Thompson Norman\, Proprietor\, The Windowpane Press\nPatrick Reagh\, Printmaker\, Patrick Reagh Printers\nBrian Kim Stefans\, Professor of English\, University of California\, Los Angeles\nPaul Vangelisti\, Professor Emeritus\, Otis College of Art & Design \n\nThis event is free to attend with advance registration and will be held in-person at the Clark Library. Seating is limited. Walk-in registrants are welcome as space permits. The registration form will be posted here approximately one month in advance of the program. \n\nImage: Left: Marjorie Butler\, This Great Age of Printing: Some Examples from the Leading Modern Fine Presses and Designers. Los Angeles: Zeitlin Books\, 1930. Middle: Alfred Young Fisher\, Lawrence Clark Powell\, ed. Ghost in the Underblows\, designed by Alvin Lustig. Los Angeles: Ward Ritchie Press\, 1940. Right: Bruce McCallister\, The Zamorano Club. Los Angeles:1929.
URL:https://dev.1718.ucla.edu/event/ca-fine-press/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
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DTSTART;TZID=UTC:20261204T090000
DTEND;TZID=UTC:20261204T170000
DTSTAMP:20260929T224939Z
CREATED:20260929T224939Z
LAST-MODIFIED:20260929T224939Z
UID:14249-1796374800-1796403600@dev.1718.ucla.edu
SUMMARY:Human/Being\, 1400-1800\, Conference 1: Human/Plant
DESCRIPTION:Organized by Javier Patiño Loira (University of California\, Los Angeles) and David P. Bardeen (Los Angeles County Museum of Art) \nThis conference is part of the 2026-27 Core Program\, a year-long series of three conferences – Human/Plant\, Human/Animal\, and Human/Machine – that invite participants from across the humanistic disciplines (including history\, art history\, history of science\, literature\, philosophy\, religious history\, and ecocriticism) to explore how early moderns (1400-1800) sought to define and understand themselves through their relationships with non-human life forms\, entities and systems. The rise of generative models and autonomous systems has provoked intense anxieties about human exceptionalism\, posing the deceptively simple question: What does it mean to be human? But “the human” has never been a stable category\, particularly during the early modern period\, when artists\, writers and thinkers grappled with the slippery boundaries between human and non-human agencies. \nThe first conference\, Human/Plant\, considers the human relationship to the vegetal world. During the early modern period\, trees and plants served as metaphors and models for thinking through human affairs\, while philosophers and theologians debated the nature of the vegetative soul and the limits of plant sentience and responsiveness to the surrounding world. Furthermore\, new technologies (the microscope)\, practices (grafting)\, disciplines (comparative anatomy)\, modes of representation (botanical drawings) and ideas (the mechanization of plant life) yielded transformative insights and new questions about plant behavior and life cycles and how they should be understood. Contributors will consider how the shifting perceptions of vegetal life challenged established hierarchies\, redefined the boundaries between species—including what is intrinsically human and what is not—and informed new understandings of ecological connectedness. For purposes of the session\, vegetal life is defined broadly to include agencies that have not always fit neatly within the plant/animal divide\, including fungi\, lichens and mosses\, corals\, parasites and plant-like growths\, and mineral-vegetal hybrids. \n\nSpeakers \nFabrizio Baldassarri\, University of Roma Tre\nNatasha Heller\, University of Virginia\nJoela Jacobs\, University of Arizona\nNicole LaBouff\, Los Angeles County Museum of Art\nRong Lin\, University of Illinois\, Chicago\nAnthony J. Meyer\, NYU Institute of Fine Arts\nAnca-Delia Moldovan\, University of Warwick\nFabien Montcher\, Saint Louis University\nElizabeth Petcu\, University of Edinburgh \n\nThis event is free to attend with advance registration and will be held in-person at the Clark Library. Seating is limited. Walk-in registrants are welcome as space permits. The registration form will be posted here approximately one month in advance of the program. \n\nImage credit: Tacuinum sanitatis\, Österreiche Nationalbibliothek\, call number Cod. Ser. n. 2644\, (fol. 40r).
URL:https://dev.1718.ucla.edu/event/human-plant/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
ATTACH;FMTTYPE=image/jpeg:https://dev.1718.ucla.edu/wp-content/uploads/2026/09/Art_Human-Being_Image.jpeg
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DTSTART;TZID=UTC:20261209T180000
DTEND;TZID=UTC:20261209T190000
DTSTAMP:20260929T225722Z
CREATED:20260929T225722Z
LAST-MODIFIED:20260929T225722Z
UID:14254-1796839200-1796842800@dev.1718.ucla.edu
SUMMARY:Cook-Along with the Clark: An Online Culinary Experience
DESCRIPTION:Julia Rhoton\, Chef Instructor and Culinary Arts Coordinator\, UCLA \nDid you know that the William Andrews Clark Memorial Library houses an extensive collection of cookbooks\, handwritten recipe collections\, and treatises on food from the 1650s to the 1950s? As we celebrate the Clark Library’s centennial during the 2026-27 academic year and showcase the many facets of its collections\, join us as we cook along with Chef Julia Rhoton and learn how to create a recipe from the 1927 Southern California Home Economics Association pamphlet “Luncheon\, Tea and Party Suggestions.” \nGuests who register in advance will receive a detailed shopping list and a step-by-step recipe in order to cook along with Chef Julia Rhoton from the UCLA Teaching Kitchen. This hour-long virtual experience will allow participants to follow along in their own kitchens\, learning to create a recipe that was printed one hundred years ago. Chef Julia will be joined in her campus kitchen with a few special guests\, and together with everyone at home\, participants will learn how recipes\, cookbooks\, and culinary education have evolved over the years\, all while creating a delicious recipe from the time the Clark Library was founded. Participants should be prepared to follow along on a personal device like a laptop or tablet that can be set up somewhere out of the way\, but still visible\, in their kitchens. \nChef Julia Rhoton is a chef instructor and Culinary Arts Coordinator at UCLA. She leads the Teaching Kitchen Collaborative at UCLA\, an interactive food education hub that teaches students culinary and nutrition skills. Chef Julia trained at Le Cordon Bleu California School of Culinary Arts and has worked in catering and baking in Los Angeles for the last twenty-two years. She received her degree in elementary education in 2018. She has been helping to instruct and manage the UCLA Teaching Kitchen programs since 2019\, which have included workshops that support nutrition education for David Geffen School of Medicine students and UCLA Nursing students\, classes in collaboration with the Food Studies Minor and Graduate Food Studies Certificate programs\, outreach services in support of the Community Programs Office\, and extracurricular activities for students through Recreation. \n\nThis event is free to attend with advance registration and will take place via Zoom. The registration form will be posted here approximately one month in advance of the program. \n\nImage: On the left: Chef Julia Rhoton is the culinary arts coordinator of the UCLA Teaching Kitchen. Photo by Diana Koenigsber. On the right: California Home Economics Association\, Southern Section. Luncheon\, Tea and Party Suggestions. Los Angeles: [California Home Economics Association\, Southern Section]\, 1927. Clark Library Press Collection; Press coll. Browne 081.
URL:https://dev.1718.ucla.edu/event/cook-along/
LOCATION:Online (details emailed to attendees)
ATTACH;FMTTYPE=image/png:https://dev.1718.ucla.edu/wp-content/uploads/2026/09/Cook-along-Julia-Site-e1790722418830.png
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DTSTART;TZID=UTC:20270110T140000
DTEND;TZID=UTC:20270110T160000
DTSTAMP:20260929T230434Z
CREATED:20260929T230412Z
LAST-MODIFIED:20260929T230434Z
UID:14260-1799589600-1799596800@dev.1718.ucla.edu
SUMMARY:Manhattan Chamber Players\, Chamber Music at the Clark
DESCRIPTION:All Chamber Music at the Clark tickets will be sold by the UCLA Central Ticket Office. Tickets may be purchased online\, via telephone\, or in person. \nTicket prices: General $60; Senior (age 55+) $50; UCLA student (valid student ID required for each ticket) $15. Tickets are non-refundable. \nTickets for this concert will go on sale Tuesday\, November 17\, 2026 at Noon. \nSeating at the Clark Library is limited\, and tickets are likely to sell out within a few minutes. \nOnline: https://ucla.evenue.net/events/CTO\nTelephone: (310) 825-2101\nIn person: Central Ticket Office windows located on the UCLA campus at 325 Westwood Plaza (ground level\, across from Pauley Pavilion). \nIf any tickets for this concert remain unsold\, they will be available for purchase at the Clark Library on the day of the event. Any available day-of tickets will be sold on a first-come\, first-served basis by a Central Ticket Office representative beginning at 1:00 p.m. Payment will be accepted via credit card only. For inquiries\, please call or email the Central Ticket Office at (310) 825-2101 or cto@tickets.ucla.edu\, Monday–Friday 10:00 a.m. – 4:00 p.m. \n\nProgram \nJohannes Brahms (1833-1897)\nString Sextet No. 2\, op. 36 \nArnold Schoenberg (1874-1951)\nVerkläerte Nacht\, op. 4 \nPyotr Tchaikovsky (1840-1893)\nSouvenir de Florence\, op. 70 \nArtists \nRobin Scott\, violin\nBrendan Speltz\, violin\nLuke Fleming\, viola\nPierre Lapointe\, viola\nAndrew Janss\, cello\nBrook Speltz\, cello \nManhattan Chamber Players are a chamber music collective of New York-based musicians who share the common aim of performing the greatest works in the chamber repertoire at the highest level. Formed in 2015 by Artistic Director and violist Luke Fleming\, MCP is comprised of an impressive roster of musicians who all come from the tradition of great music-making at the Marlboro Music Festival\, Steans Institute at Ravinia\, Music@Menlo\, Yellow Barn Chamber Music Festival\, and Perlman Music Program\, and are former students of the Curtis Institute\, Juilliard School\, Colburn School\, and New England Conservatory. \nMCP has been praised in Strings Magazine for “A fascinating program concept. . . . It felt refreshingly like an auditory version of a vertical wine tasting.”  The article went on to applaud MCP for “an intensely wrought and burnished performance. Overall\, I wished I could put them on repeat.”  At the core of MCP’s inspiration is its members’ joy in playing this richly varied repertoire with longtime friends and colleagues\, with whom they have been performing since they were students. As stated by The Boston Music Intelligencer: “This ensemble’s nature and practices constitute proof against complacency and stagnation. They achieved as precise ensemble as you’d ever want to hear.” \nIts roster allows for the programming of the entire core string\, wind\, and piano chamber music repertoire from piano duos to clarinet quintets to string octets. While all its members have independent careers as soloists and chamber musicians\, they strive for every opportunity to come together and again share in this special collaboration\, creating “a mellifluous blend of vigorous intensity and dramatic import\, performed with enthusiasm\, technical facility and impressive balance\, relishing distinctions … a winning performance.” (Classical Source) \nMembers of MCP are current and former members of the Chamber Music Society of Lincoln Center\, Ensemble Connect\, and the Aizuri\, Attacca\, Dover\, Escher\, Vega\, and Ying Quartets\, the Aletheia\, Appassionata\, and Lysander Piano Trios\, and Imani Winds. They are top prizewinners in the Banff\, Concert Artists Guild\, Fischoff\, Melbourne\, Naumburg\, Osaka\, Primrose\, Queen Elisabeth\, Rubinstein\, Tchaikovsky\, Tertis\, and Young Concert Artists Competitions\, and are some of the most sought-after solo and chamber performers of their generation. Manhattan Chamber Players have been featured multiple times on NPR’s Performance Today\, and is the Ensemble-in-Residence at both the Festival de Febrero in Mexico and the Crescent City Chamber Music Festival in New Orleans. In addition to its numerous concerts across the U.S.\, Canada\, and Mexico\, MCP regularly tours in Asia and the Middle East\, and has led chamber music residency programs at institutions throughout the U.S. and abroad. \nManhattan Chamber Players is a 501(c)3 non-profit organization. \nmanhattanchamberplayers.com \n\nChamber Music at the Clark is made possible by The Ahmanson Foundation\, under the auspices of Lee Walcott; Henry J. Bruman Endowment for Chamber Music; The Colburn Foundation; Ms. Brenda F. Anderson; Martha Bardach/Bardach Robson Family Charitable Foundation; Catherine Glynn Benkaim\, Ph.D. and Ms. Barbara Timmer; Rogers Brubaker\, Ph.D; Johanna R. Drucker\, Ph.D.; The Mari and Ed Edelman Charitable Fund for Music and Public Service; Dr. Daniel J. Fink and Dr. Ruth F. Cousineau; Susan S. Harris\, Ph.D. and Mr. Mark J. Harris; Judith L. Hellinger; Dr. David E. Lopez; Dr. Martin H. Mach and Dr. Susan P. Mach; Mr. Bernie Mendes and Ms. Elaine Mendes; Mrs. Janet K. Minami; Mr. Jeffrey L. Nagin and Mrs. Bette I. Nagin; Jeanne Robson\, Ph.D. ; Dr. Thomas Rosenthal and Ms. Susan M. Rosenthal; Dr. Patricia Bates Simun and Mr. Richard V. Simun Memorial Fund; Professor Bronwen Wilson; and Mr. Robert A. Young and Mrs. Roberta J. Husted Young. \nPlease see here for more information about our chamber music programs. \n\nPhoto credit: Courtesy of Arts Management Group.
URL:https://dev.1718.ucla.edu/event/manhattan-chamber/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
ATTACH;FMTTYPE=image/jpeg:https://dev.1718.ucla.edu/wp-content/uploads/2026/09/ManhattanChamberPlayers3_SophieZhai-e1790722830735.jpeg
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DTSTART;TZID=UTC:20270225T160000
DTEND;TZID=UTC:20270225T180000
DTSTAMP:20260929T230723Z
CREATED:20260929T230723Z
LAST-MODIFIED:20260929T230723Z
UID:14266-1803571200-1803578400@dev.1718.ucla.edu
SUMMARY:21st Century Book Collecting
DESCRIPTION:Spencer W Stuart\, Collections Advisor \nEvery other year\, Southern California hosts one of the largest and most important opportunities to see and buy rare books\, manuscripts\, ephemera\, prints and maps on the West Coast. The Antiquarian Booksellers Association of America’s International Book Fair takes place over three days with scores of dealers from around the world. For first time attendees\, these fairs can seem overwhelming\, but building a collection is not as intimidating or expensive as it could be. It’s also no longer straight-forward. More than a quarter of the way into the century\, traditional models of developing collections\, both privately and institutionally\, are no longer common practice. While book fairs have been held for centuries\, they are now only one of many options for acquiring materials. The implications of these structural changes for emerging collectors\, seasoned professionals\, and those in the process of estate planning are important. \nJoin Collections Advisor\, Spencer W Stuart\, as he outlines these transformations and how to navigate them as a collector. Using collector case studies from his professional practice\, Spencer will demonstrate generational changes in the outlook and intent around building collections of rare books and ephemera brought on by technological and economic changes to the trade and auction arena. \nSpencer W Stuart is a Collections Advisor working with new\, expanding\, mature\, and de-accessioning collections throughout the world\, both in private and institutional contexts\, aiding to facilitate collection development\, cataloguing\, and de-acquisition strategies. \nIn tandem with his advisory work\, he is author of Contemporary Issues in Rare Book & Manuscript Collecting\, the host of the monthly webinar series COLLECTING INSIGHTS as well as the weekly Rare Book industry roundup The Antiquarian Outlook. His articles have appeared through Rare Book Hub\, Amphora\, and Manuscripts. He also occasionally appears on CBC Radio to present segments on Book History. \n\nThe lecture is free to attend with advance registration. It will be held in-person at the Clark Library. Seating is limited at the Clark Library; walk-in registrants are welcome as space permits. The registration form will be posted here approximately one month in advance of the program. \n\nPhoto credit: Photo courtesy of Spencer W Stuart
URL:https://dev.1718.ucla.edu/event/21st-century-book-collecting/
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street\, Los Angeles\, CA\, 90018\, United States
ATTACH;FMTTYPE=image/jpeg:https://dev.1718.ucla.edu/wp-content/uploads/2026/09/Spencer_Headshot-DSC03201-scaled-e1790723204379.jpg
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